deluxe 2 cd digipack , inside out paper and embossed typo finish within electronic music sven vŠth represents more than a single style. sven embodies the music as a whole, he cherishes every facet of techno and house. vŠth has experienced the music as it emerged in the mid-eighties. from this moment on, he has helped to shape it year after year. vŠth produced seminal music, his labels created and create its very own unmistakable brand of music, he ran a club and several booking agencies. cocoon is a global identification mark for high quality parties and festivals. those are major achievements, but they are overshadowed by vŠth djing abilities. like no one else, vŠth manages to capture the current figuration of our beloved electronic dance music in its entirety and melds it into a single, stirring story

barker & baumecker take turns from techno, bass, breaks, and experimental terrain with their second album on ostgut ton.

featuring throwback anthems von house of pain, dj jazzy jeff, kriss kross, 50 cent, ini kamoze, salt n pepa, ice cube, black street, missy elliott, odb, sugarhill gang, panjabi mc, justin timberlake, run dmc, usher, dmx, ja rule, nelly, ginuwine, notorious big, outkast, cameo, bobby brown, tlc, r. kelly, jennifer lopez, aaliyah

the biggest club anthems from the hed kandi dance floor! inklusive tracks und remixes von craig david & sigala, kungs vs crookin on 3 burners, bob sinclair, matt simons, sam feldt x lucas steve feat. wulf, freischwimmer, atfc feat. hannah williams, the mighty dub katz, boris dlugosch

hotflush are proud to introduce an exciting young artist, pyur, along with her singular debut lp epoch sinus. despite her relative newness, pyur meets the world with fully formed and unique signatures in both visual and sonic work, revealing a deep artistry that transcends medium. growing up in munich, in and amongst the same fecund scene that spawned artists like the zenker brothers and skee mask, pyur cut her teeth from a young age as a guitarist and singer before becoming spellbound by the electronic worldÕs endless scope for sound design. endowed with innately strong synaesthesia and reared in a shamanic household, she tells how music Òplayed the biggest role in my growth. it alone had the purpose to help me dissolve boundaries, discover the beauty of lifeÕs mechanisms, create freely. it talked. soon i felt like the music was making me, not the other way round.Ó epoch sinus is a seamless and heartfelt whole, a life-like being unto itself, describing the disintegration of barriers between the self and the all. here pyur offers an intimate and personal statement, combining knowledge of universal harmony with electronic music. she states: Òi m mainly influenced by my inner visions and nature itself, yet also a lot from club culture, which is undoubtedly an important space of connection and freedom for so many people. the record dances playfully between supposedly incompatible qualities: moments of brutality turn to softness, new life embraces decomposition, while explosive rhythmic and melodic structures are tempered with gentle and subtle percussion.

big 2 cd mix by art department !

liquid d&b by luke utah jazz wilson.

sweet addiction is yuksekÕs great studio comeback. its 5 elegant tracks signal his return as a main player. the maxi, which prefigures a 3rd album, features the greek singer monika (make it easy) and the duo her (on the1st single, sweet addiction). yuksekÕs characteristic sound, midway between post-disco, house and pop, shines through on its various tracks. even more than on his last album, living on the edge of time, yuksek shows his talent as a singer. his new melodies are sunnier than before, his beats and production more subtle. airy, but still conveying a touch of hedonism in its most club-friendly sounds, this ep is a foretaste of a sparkling new opus. bio : at the start of the 2000s, yuksek released a series of maxis and then two albums: away from the sea (2009) and living on the edge of time (2011).those records laid the foundations of a sound that uncompromisingly combined pop, disco and electro. then in 2013, he set up his own label: partyfine. it is now home to artists such as clarens, weekend affair, get a room!, jean tonique, juveniles,tepr and villa.

10 rare french disco and boogie titles, all produced between 1975 and 1984. check!! on one hand, tracks by overdrive, marchŽ noir, didier makaga or france-lise, were produced by underground artists and labels from the french caribbean and african community and also filled with the raw spirit of this tropical stamping. on the other hand, tracks by beckie bell, kelly, le club, or bernard guyvan, were released by major labels such as tr‘ma, carrere, disques vogue, or pathŽ marconi, thanks to confirmed independent producers, acting not only in france, but also in canada and the us.

being pioneers with a new album created in no more than 6 months, the orb are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. it s especially jarring as the duo of accomplished soundsmiths alex paterson and thomas fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. the funny thing is, though, that whatever the context, you know a track from the orb when you hear it. case in point: cow / chill out, world!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like the orb in either ear (and probably to your third ear, too).

ben delay: mit seinem unverwechselbarem sound mischt der erfolgverwšhnte dj und produzent nun schon seit źber fźnfzehn jahren die internationale clubszene auf und setzt einen neuen ma§stab nach dem anderen. bei seinen zahlreichen bookings zeigt er, wie man die crowd zur ekstase bringt, an seinem sound kommt keiner vorbei. wir freuen uns daher umso mehr, dass der erfolgsverwšhnte dj ganz begeistert von der idee war, eine eigene compilation fźr pink revolver zusammenzustellen und zu mixen. auf 2cds prŠsentiert ben delay ein dj-set mit genau den club-perlen, die er selbst ausgewŠhlt hat und mit denen er zielsicher wochenende fźr wochenende die dancefloors im in und ausland zum brodeln bringt.

springing up from the osaka underground club music scene in 2006, hino is a rhythm master, intimately examining and extending pulses and grooves in his various projects. ypy is hinos long-running rhythmic solo dna lab, in which he investigates impulsion and propulsion, using drum machines and synthesizers in an organic and vital manner to create living and evolving percussive biosystems which are more than electronic music etudes.

summer 2016 and its time for the seventh annual trip to the beach with your favorite nangster crew. this time sailing the ship is san francisco resident and all round top producer chap aimes. he has spun a web of summer disco beach tunes to get the sundown grooves deep, long and funky.

for the past seven years kornel kovacs has been busy rocking dancefloors and boomboxes worldwide as one third of stockholms studio barnhus alongside axel boman and petter nordkvist. the label and dj trio is spearheading a new era of fearless swedish off-centre dance music, straddling the line between the cute and the menacing. anticipation for kovacs debut album has been rocketing following stand out releases like 2014s wistful szikra, last years mad party anthem pantalon on glasgows numbers imprint and the late night groove of space jam on smallville records. on the bells, kovacs pops open his trunk full of sounds nicked from the lost and found bins of nightclubs all over the world. from the distorted organ chords of bb to the stripped down trancehall beats of joseys tune and sziv utca and the title tracks cinematic romanticism, its all of the bells and all of the whistles - further positioning kornel kovacs as one of the most characteristic producers of modern house music. the record was completed in an intense two-week session with kovacs great friend and great studio engineer matt karmil in the cold winter of 2016. another close friend, artist malin gabriella nordin, has created the album artwork together with her brother jonas.

hed kandi ibiza 2016 - 45 tracks auf 3 cds! featuring john newman, nile rodgers, mk & becky hill, philip george, dragonette, yolanda be cool & dcup, nora en pure & redondo, mat zo, purple disco machine & boris dlugosch, ben delay

sommerausgabe der a state of trance-reihe aus dem angesagten ushuaia club auf ibiza, armins aktueller dj-residenz, der bei den international dance awards in miami zum besten club der welt 2015 gekźrt wurde! armin liefert wieder bis ins kleinste detail prŠzise qualitŠtsarbeit in form von zwei neuen burnersets mit den derzeit hei§esten floorfillern plus exklusiven tracks von andrew rayel, arty, ben nicky, cosmic gate, ilan bluestone, jason ross, khomha, omnia, orjan nilsen, marlo, simon patterson, super8 & tab sowie bislang noch nie gehšrte remixe eigener armin van buuren originale.

jamal moss aka hieroglyphic being veršffentlicht sein lang erwartetes soloalbum the disco s of imhotep- auf technicolour/ninja tune! jamal moss hat sich einen einwandfreien ruf als produzent sowie als live-performer von hypnotisierendem, experimentellem elektro und free jazz aufgebaut, der in seiner heimat chicago und seinen beziehungen zur schšpferischen underground club-szene wurzelt. inspiriert durch ron trent, dj rush und ron hardy, wurde jamal moss von den visionŠren und produzenten steve poindexter und adonis ausgebildet. diese brachten ihm die drum machines nŠher, die das rźckgrat der bewegung waren und ihn zu seinen frźhen streifzźgen durch die musikproduktion ermutigten. seitdem veršffentlicht er flei§ig źber sein eigenes label mathematics recordings sowie labels wie rvng intl. und soul jazz / sotu. seine stellung, als unverwechselbare, kreative kraft, verfestigte moss auch durch seine zusammenarbeit mit marshall allen von sun ra arkestra und noleian reusse (als africans with mainframes). unverwechselbar ist auch seine art, musik zu machen: er vereint seine antike herkunft und musikalische dna mit einer leidenschaft zum experimentieren, erschaffen und setzt musik als heilmittel ein.

erstklassige mix-cd des britischen djs darius syrossian, resident im space ibiza, gewinner des dj mag -best of british award-, mit releases auf labels wie area remote, off recordings, viva music und hot creations. mit 3 cdj-mixdecks, 2 technics-plattenspielern und einem mixer schźttelt syrossian zwei grandiose sets aus dem €rmel, einmal live im club aufgenommen, einmal im studio gemixt. beide mit top-tracklistings feat. tim deluxe, laurent garnier, francesco tristano, dj t., deetron, larry heard, jimpster, burnski, ian pooley, u.v.a.

a-ton is a new edition and platform of berghain s in-house imprint ostgut ton, focussing on ambient, archive and alternative music, differing from the club-focussed records on the main label. furthermore the first a-ton offering Ð chronicles | Ð marks the start of a series from luke slater s the 7th plain moniker, with remastered, previously released and unheard archive material.

grandiose best-of-werkschau des Šgyptischen trance/progressive-duos aly & fila mit 40 ihrer besten tracks und remixes, darunter zeitlose clubhits wie we control the sunlight, lost language und rosaires, top-kollabos mit roger shah, thrillseekers und john o callaghan, sowie exzellente remixes von photographer, husman, arctic moon, w&w, james dymond und jorn van deynhoven.

following contributions by dj deep and dj hell, tresor records are proud to present the third instalment in their kern mix-series, this time headed by berlin based producer objekt, his first release following his 2014 debut album flatland for pan. in keeping with the series mission of showcasing a more personal approach to mixing hertz describes his process as such, kern vol. 3 is made up of tracks that i know i will play and love for years to come. some of these records have been in my bag for years others are almost as new to me as they are to you. a handful are by lesser known artists whom i admire and who i think deserve wider recognition. planned, recorded, embellished, reworked, tweaked and chiselled away at over a period of 6 months, the mix was gradually carved out in a way that makes use of new and old techniques alike, presenting itself primarily as a dj mix but settling in a sweet spot between live recording and studio trickery. the tracklist spans styles, decades and bpms in an attempt to craft a mix thats unpredictable and compelling in equal measure Ð one that draws from the more adventurous corners of my club sets, but above all, one thats a pleasure to listen to.

sound and rhythm are effective means of individuals self-defence in face of chaotic steamroller of everyday life. hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. too many times to mention, music appearing under recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation. hideland, new record by polish electronic music producer jacek sienkiewicz is released precisely year after drifting, which largely explored tropes of classical club techno sound. eight (nine in extended cd version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. its another intriguing proposal in jacek sienkiewiczs growing discography, but above all, a laboratory where dreams and artistic visions metamorphose into concrete reality.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities

3 cd compilation incl. 60 tracks & mixes by robin schulz, sigala, alan walker, edx, galantis, the chaninsmokers, sam feldt and more

die us-amerikanische electronica-kźnstlerin olga bell (gleichzeitg auch ein mitglied von dirty projectors) veršffentlicht nach -diamonite- (2011) und -krai- (2014) nun ihr drittes solo-album. -tempo- beinhaltet gastauftritte der sŠngerin sara lucas (callers) sowie der langjŠhrigen kźnstlerkollegen jason nazary und gunnar olsen. -dieses album ist erst fźr den kšrper, dann fźr den geist-, erklŠrt bell, die -tempo- angefangen hat zu schreiben, direkt nachdem sie den film paris is burning gesehen hatte. jeder song steht in einer beziehung zum spezifischen rhythmus und kšrper, beinflusst durch das tempo des tages, durch das wetter und das licht. die zehn songs sind durch old-school club-musik, west-coast hip hop und portishead beeinflusst. experimentelle sounds treffen auf geschmeidige, catchy melodien. das ganze album ist absolut originell, vibrierend und sinnlich. ein tipp fźr alle fans von bjšrk, st. vincent, feist, sharon van etten, chairlift!

those of a certain vintage may have a soft spot for global underground s after hours series, which promised to soundtrack -the party after the club- by joining the dots between woozy progressive house, deep techno, electronica and, of course, ambient. some eight years after the last installment, the long-running club brand has decided to re-launch the series. apparently, this latest installment took a year to put together, and featured tweaked, edited and gently reworked tunes layered up for a more enjoyable listening experience. musically, it sticks to similar territory to previous installments, updating the sound a little via tracks and remixes from ewan pearson, lawrence, scuba, matrixxman, michael mayer and joris voorn.

cd in 2 panels digipack with spot varnish and poster booklet. les fils du calvaire are a francophone trio from the electronic chanson francaises new wave. before adopting their current name 3 years ago, the band was called dop, and already has a solid background in the music production. indeed, les fils du calvaire were also used to being among the best hip hop beatmakers of france providing rappers such as oxmo puccino and composing for mythical jamaican figure (horace andy & johnny osborne). after a first noteworthy single rester avec toi, they are releasing an album in line with the pioneers of the chanson franŤaise, adding a subtle note of humor and derision. jointly created with ash workman (metronomy, christine and the queens), fils de is the perfect balance between french tradition and modernity.

party-hits non-stop! 60 club-house und pop-smasher mit tracks und remixen von mike posner, ellie goulding, calvin harris, avicii, disclosure, jonas blue, david guetta, diplo, years & years, felix jaehn und und und. die diesjŠhrige party-saison ist hiermit eršffnet!

two years on from his previous full-length, irishman-in-stuttgart marcus lambkin returns with what follows, his third album. recorded in his home studio, but mixed with juan maclean in new hampshire, it s a typically stylish and trippy set that methodically joins the dots between giorgio moroder, lcd soundsystem, italo-disco, german techno, balearic deep house, and intense chicagoan acid. lambkin has always been adept at making club music both left-of-centre and accessible, as if he secretly pines to make 80s synth-pop but is consistently drawn towards the dancefloor. this certainly explains the quantity and quality of the vocal numbers dotted throughout what follows.

recent arts is a duo formed by chilean visual artist valentina berthelon and german musician tobias freund. together they present live audio-visual shows ranging from experimental improvisations to works that are more aligned with the global electronic music club scene.

juan atkins and moritz von oswald Ð the two indispensable protagonists of the electric garden Ð plug back into the wilderness. transport Ð the new full length effort of the borderland collaborative project Ð brings together a new set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not Ôon the gridÕ.
the detroit-berlin axis triangulates to a third point which, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts. borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making. the result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.

two years ago i played at studio 9 in vilnius, lithuania. the following day i missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend linus, who took me to the contemporary art centre. it was there i spotted a book named ÔrojusÕ, that linus told me translated as ÔparadiseÕ. the word and striking cover of the book stuck in my mind. a few days after returning home, i turned on to a national geographic documentary named Ôdesigned to danceÕ, explaining the courtship rituals of birds of paradise. as i watched, i jokingly began drawing similarities between these birdsÕ attempts to captivate and impress the opposite sex with dance, and the way strangers try to attract one another in clubs and interact on the dance floor. this gave me the idea of creating a record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these birds of paradise and their habitat. thus, rojus. leon vynehall 2016

das japanische kult-girl-trio nisennenmondai hat nach einer kollaboration mit electro-dub-produzent shackleton in 2015 sein neues album mit dub-legende adrian sherwood aufgenommen und entwickelt sich damit von einer noisey no-wave-band weiter in richtung organic techno. zu ihren die-hard-fans zŠhlen die battles, prefuse 73 und chris & cosey (throbbing gristle), die internationale trendpresse (nme, the wire, dazed & confused) lobt sie źber den klee. dank sherwoods teilnahme gewinnen winzige rhythmische details und subtile dub elemente an bedeutung, die erinnerungen an den klassischen basic channel sound wecken. die internationale ausgabe enthŠlt zusŠtzlich zwei live dub mixes, die sherwood in tokios unit club mit zahlreichen effekten live aufnahm.

inspiriert vom post-minimalismus und modernen klassizismus von zeitgenšssischen produzenten wie nils frahm, max richter oder steve reich, legt sasha ein neues album in der -late night tales reihe vor, das seinen bewŠhrten style aus club-electronica und trance/progressive um neue facetten erweitert und bereichert. so hšren wir einen neuen, hypnotischen, sźchtig machenden sound, prŠsentiert im longplayerformat, irgendwo zwischen einem mixset, studioalbum und soundtrack zu einem imaginŠren, nŠchtlichen spaziergang. der song bring on the night-time ist eine vocal-kooperation mit ultraista, dem projekt des radiohead-produzenten nigel goodrich, der auch zusŠtzliche keyboards beisteuert

parisÕ prodigal son djebali returns with this bumper collection of music, curated and compiled to showcase some of his finest work in digital format for the very first time. ever since he launched his own label, ( djebali ), the young talent has focused solely on representing his sound through vinyl. with ideal juice, named after his popular residency at the legendary rex club, djebali gives his fans the chance to own specially edited digital versions of material from his back catalogue. each track is shorter than the vinyl original, so that both digital customers and the vinyl lovers both have exclusive versions of the tunes.
already support by ryan crosson, dubfire, seth troxler, subb-an, shaun reeves, laura jones, ekkohaus, guti, einzelkind, tobi neumann, christian burkhardt, phil weeks, sebo k, kate simko, seuil, julietta, le loup, robert dietz, dan ghenacia, jimpster john dimas, dÕjulz, varoslav, raresh, boris werner, yakine, doc martin, tristan da cunha, anthony collins, terence:terry:, michel de hey, alex arnoult, amnaye, andrei osyka (droog), anthea, javier carballo, okain, pete madigan, sishi rosch, tania vulcano, voitek (catnzdogz), tuccillo, chris carrierÉ

mood ii swings presents 1990s us garage and 90s new york house on the strictly rhythm label. 3 cds unmixed!

kein club ohne eine regelmŠ§ige dubstep-veranstaltung! dubstep hat sich lŠngst zum festen bestandteil der club-kultur entwickelt. ursprźnglich ein nischen-stil von clubgŠngern fźr clubgŠnger, hat dubstep nun schon seit lŠngerem seinen weg in die gro§en clubs und charts gefunden, ohne etwas von seiner coolness einzubź§en. sogar pop-grš§en wie rihanna, lady gaga oder madonna lassen dubstep-mixe von ihren songs anfertigen. die basslastigen, treibenden beats sind einfach der sound der stunde. mit dubstep 2016.1 the ultimate hits setzen wir nun unsere erfolgreiche dubstep-reihe fort. hier finden sich gleich 32 der stŠrksten und angesagtesten club-hits aus diesem genre!

auf 2cds werden 40 topaktuelle tracks prŠsentiert, die momentan garantiert in allen clubs rauf und runter laufen und die tanzflŠchen zum brodeln bringen. no filler, just killer hier kommt ein burner nach dem nŠchsten und das verpackt in einem energiegeladenen dj-mix. djs und produzenten von hardwell, milk & sugar, robin schulz źber roger sanchez bis hin zu moby und lost frequencies alle sind sie auf dj sounds 2016.1 vertreten

mit unzŠhligen chart- und club-hits von artful dodger feat. craig david, mj cole, daniel beddingfield, gabrielle, the streets, wookie, george morel, shanks & bigfoot und remixen von disclosure, armand van helden, mk, dreem team, u.v.a.! insgesamt 3cds mit źber 60 tracks - i love garage!

in all there are seven previously released tracks as well as five brand new, never before heard cuts, and they all make for absorbing listening both in the club, on headphones or from the sofa.

texture like sun is the follow up to the much-loved self-titled debut by anglo-mauritian producer, singer and percussionist joseph deenmamode aka mo kolours. nod! tip!

nice price

nice price

imagine bringing together two distinct but complementary musical talents, already established as composers and producers in their own right, one male - with years as a performer on the festival and club circuit behind him - and one female - a rising star with a sirens voice, a maverick committed to live performance. imagine their astonishing sound: an intoxicating concoction of driving rhythms, lush synths, psychedelic effects and instantly memorable hooks drenched in a dark atmosphere of melancholy and brooding beauty.

inklusive der sechzig derzeit hei§esten floorfiller von skrillex & diplo feat. justin bieber, years & years, felix jaehn, sam smith, david zowie, avicii, major lazor, sam feldt, sigala, roisin murphy, calvin harris, claptone, david guetta, tiesto, eric prydz u.v.a.! the annual eint festival lovers, house-fans und clubbers weltweit und ist die compilation, die nicht nur ausgelassene partystimmung verspricht, sondern auch hŠlt!

last dj-kicks of the year and its a banger from our man seth troxler.

the last 12 months have been a boon for fans of luke vibert, with the veteran cornishman delivering a killer acid album for hypercolour, and a slick, melodious set of disco-inspired jams under his kerrier district alias. here he returns to regular home planet mu with another typically entertaining set inspired by classic british electronic music. utilising his battery of vintage music-making machines, vibert giddily doffs a cap to early 90s intelligent techno, rave-era hardcore, bleep, chicago acid and braindance, occasionally veering off track via easy listening inspired future jazz, wagon christ style hip-hop head-nodders (the title track, which doffs a cap to a forgotten, mid-90s remix he did for ninja tune) and squidgy, synth-propelled mutant electrofunk.

for the next instalment of our mix series, weve arranged a special mix from a duo which we have shared close ties with for the last five years, having them regularly at the club as well as a couple of our infamous open airs at rummelsburg in berlin. hailing from the usa, the stateside duo soul clap have been at the forefront of the dance music scene for over half a decade now and are well known for their blend of funk and soul to house, techno and everything in between. from peak time sets on the main floor to sun soaked closing sets on the water floor, the pair of bostonians, eli goldstein and charles levine, are a djs dj.

auf drei cds ist das komplette rap- und hip hop-universum versammelt. 60 tracks von n.w.a., jay-z, the notorious b.i.g., 50 cent, ol dirty bastard, dmx, ice cube, cypress hill, a tribe called quest, the sugarhill gang, house of pain, wu-tang clan, d12, grandmaster flash, eric b & rakim, u.v.a.! no fillers, only killers!